Monroe, Louisiana is a city with a unique identity, shaped by its historic and cultural resources. One of the most remarkable artists to come out of Monroe is Vitus Shell, who uses his art to explore the African American experience. His works are powerful, compelling, and often disturbing images of contemporary black life in America. His art is driven by irony, activism, and the notion of the “genius” of black people.
His original works have sold for millions of dollars and their value continues to rise. He has also done commercial projects in fields such as fashion, merchandise, and animation. The COVID-19 pandemic has caused many artists to find innovative ways to exhibit their works. In this context, artists from Cologne and Bonn (Germany) have come up with creative solutions. In a letter to his nephew William Shaw (1778-182), Adams expressed hope in the House of Representatives' response to the president's speech to Congress.
Thomas Cooper (1759-183), a political writer and fervent Republican, was tried for seditious defamation against Adams before Federalist Supreme Court Justice Samuel Chase (174-181) in April 1800. Artists have an important role in society. They are responsible for drawing organs, bones and tissues in textbooks and also contribute this scientific knowledge to the way they represent the body in their own works. George Washington warned of the dangers of political factions or parties in his farewell address to the nation in 1796. This lack of a consensual candidate to assume the presidency only intensified partisan struggles. Vitus Shell was born in Monroe in 1978 and has taught art at the University of Louisiana Monroe, Louisiana Technological University and Grambling State University. He has a degree in Fine Arts from the Memphis College of Art, where he and other artists formed a collective that launched his career and that of other African-American artists.
William Cobbett, who was always a lightning rod for his political passion, returned to England in 1800 after being successfully sued for defamation and journalistic slander in the United States. Monroe's art scene is vibrant and diverse.